Full-size megazooms, especially the pricier ones, are generally viewed as bridge cameras--something more than a point-and-shoot, but less than a digital SLR. However, the Panasonic Lumix DMC-FZ100 is really the only megazoom I've tested in the past couple of years that has the features and design to be called a bridge camera.
The Good
The Bad
The Bottom Line
The main problem is that buyers tend to see the body style and think they're getting digital SLR-quality photos and performance, just without the interchangeable lens part. The FZ100 uses the image sensor of a point-and-shoot (albeit a better, more capable one), so the photos for the most part are still the quality you get with a pocket camera. Combined with Panasonic's apparent inability to produce a JPEG photo taken above ISO 200 without yellow blotching and heavy smearing from noise reduction, and you end up getting pretty average photos straight from the camera. Fortunately for the FZ100, that's not the end of the story.


